My relationship with Typography

I have a love/hate relationship with typography.

I love how good a well designed font looks on the page or on the screen. I love how the spaces between letters mean as much as the letters themselves. I love how simple lines, artfully connected, transform graphics to glyphs, transporting language across time and space. I love how something as basic as choosing the right font can turn a dry document to a work of art. I love how something as basic as choosing the wrong font can ruin the credibility of a document and even it’s author.

I hate that I don’t understand how and why typography works. Kerning, tracking, ascenders, descenders, whitespace – it’s all a black box to me.

I have a love/hate relationship with I Love Typography. I love that it opens my eyes to new fonts and type foundries. I love that it introduces me to innovative use of type and design. I love that it publishes typography-related articles and interviews.

I hate that I can spend hours at I Love Typography and learn next to nothing about how and why fonts work. I want to be sucked in to the deeper details. I want to read 1,500 words on the finer points of kerning or why whitespace is important. I want to understand why it is that I hate Comic Sans MS so very, very much. Teach me. I want to learn.

Alas, my search for the ulitmate Online School of Type continues. In the meantime, I Love Typography is cool, too.